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Live review of The Rrrs' single
launch at The Fly
The good, the bad... The Rrrs debut single
reviews
- a whole list of them (opens in new window)
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My Valentino/Forbidden Kiss review from Toxic Pete
(opens in new window)
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My Valentino/Forbidden Kiss review
from Street Voice, May 2008
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The Rrrs @ the Colloseum (now Kasbah),
Coventry, 23 June 2007
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The Rrrs @ Golden Cross, Coventry, 31 July
2007
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Look Good, Feel Great! EP review
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Godiva Festival Heats, Nuneaton, May
2007
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BBC
Cov and Warks - Sounds radio interview, 2006 (external
link)
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BBC
Cov and Warks - The Rrrs talk to Vic Minett, 2006 (external
link)
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BBC
Cov and Warks - Oxjamming it in Leamington, Oct 2007 (external
link)
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BBC
Cov and Warks - Photos of Oxjam (ft. The Ripps & Kalenko), 25
Oct 2007 (external link)
The Rrrs at The Fly, 16 June 2008
By Mike Stephenson Met Sharzilla Moog at the entrance. She's quite
the whirling dervish of organisational steam, that one. At any one
time she can be seen in several different places at once in the
venue, gallivanting around in her technicolour dream coat,
squeaking charmingly at how cool everything is. Nevertheless, this
is but a fraction of the frenzied kinesis that she and The Rrrs
undergo onstage. There is a certain glorious dementia at play here.
She sports the beaming ear-to-ear grin and football-sized eyes of
someone dangerously high on life, matched by the charged reggae-pop
sounds behind her, with syncopated beats and fast, heavily
compressed guitars. Not a measure goes by without a cheerful melody
or a leaping, staggered glissando to fill it. It is so happy and
sweet and full of life that it's almost disconcerting. I don't know
who to compare them to, but try to imagine Super Furry Animals at
double speed. Ah yes... the voice. For those of you still unsure,
yes that really is her voice. It hasn't been sped up. It's one of
the most bizarre voices I've ever heard. It's not high in a forced,
falsetto way. It sounds like a deep voice under the influence of a
lot of helium. At first, you're sure you're listening to a cartoon
and you can't quite get over it. Personally I've warmed to it with
a few listens, I think it fits the music like a glove (a petite,
bright pink driving glove) especially with lyrics that are slightly
obtuse and occasionally quite insightful (and it probably helps
that I've learned to associate it with an incredibly hot,
captivatingly crazy girl.) Though to be fair, I can kind of see why
it puts some people off. There's such a thing as too distinctive.
The Fly is so strewn with balloons and other such children's party
paraphernalia that you almost forget that you're in a dark basement
bar in central London. They even hired a midget comedian to warm
the crowd up for them, and I'm thinking "now THIS is a band that
goes that extra mile." I'd be interested to see what they'd do with
a venue if they had complete aesthetic control over it - It'd be
like a party inside a giant fruit salad. Not one for the old fogies
among us. Tonight's set was short, comprised of a mere five or six
songs, which was a shame but it certainly left me wanting more. Do
they have more? Or is this a bit of a one-trick pony? We'll see.
View
original article on Spoonfed
My Valentino/Forbidden Kiss review from
Street Voice, May 2008
"The Rrrs hail from the West Midlands and are a kick ass indie band
that I think many of you will love. This four piece have a catchy
guitar sound but what makes them stand out is the distinctive
vocals from the gorgeous Sharzilla Moog. On the opening track 'My
Valentino' sees the Rrrs come into their own with the catchiest
number on this three track single. This track also shows what a
wicked vocalist Sharzilla is. Slowing down things a little on
'Forbidden Kiss' shows just how diverse this band are yet still
retaining that catchy guitar sound. A great song and I for one
reckon given proper air time on the radio will see this band hit it
big time on these two tracks alone. 'Credit Crunch' see's the band
taking a more indie rock route and this song that the reviewers at
NME will be raving about. A great debut single and hopefully
leading the Rrrs to greater things! 9/10"
The Rrrs @ Colloseum (now Kasbah), Coventry, 23 June 2007
Rob Macca writes about his Look Good, Feel Great! EP launch
experience, which includes a photo of him with girl's underwear
on his head. "The occasion for getting drunk and having a wild
night out at The Colosseum was The Rrrs "Look Good, Feel Great" EP
launch and what an entertaining night it was!" "Finally it was time
for The Rrrs to make their Colosseum debut - this is the reason why
many were here, for their "Look Good Feel Great" EP launch. I'd got
my red t-shirt earlier in the foyer and a badge and now it was time
to get to the front and show some support (and also I wanted to
party!). The Rrrs took centre stage and soon unleashed their brand
of indie/new wave pop tunes. Knickers were being waved in the air
during "Is that your underwear on the floor" and the stage now
resembled a Tom Jones gig. Sharliza was on top form, as seen in the
picture above and could be seen sticking her foot in Les Woods
crotch and having bum on bum nudging with backing vocalist Babs
Jorge. The set list was so upbeat and lifting that it could help
break any UN deadlock and bring people from opposite sides
together. Steve K from Jaffa Rose provided drums again and did an
excellent job and Rowan Gifted's lead guitar made the night one
worthy of being remembered long into the future......."
The Rrrs @ Golden Cross, Coventry, 31 July 2007
"The Rrrs are possibly THE most entertaining band to watch on stage
and never fail to leave me feeling all happy inside when I watch
them perform. Normally you'd expect a group of Warwick Students to
be all stuck up or aloof but nothing could be further from the
truth, Sharliza, Les and Rowen are the most down to earth, chilled
out people I know and make live music fun to watch and listen.
There is a certain chemistry between Sharliza and the band, which
allows her to be able to politely kick Les and Rowen in the balls -
and still get away with it! If you've ever seen The Rrrs live then
you'll know what I mean, you not only get a collection of fast
indie songs but you get a free stage show as well. Blinking is not
allowed as you'll miss the on stage antics between the band
members, the high point being at the end of the set as Sharliza
grabbed Rowen's nuts and then stood over Les (as he lay on the
floor) beating him with her guitar. Now that's Rock 'n' Roll! The
Rrrs put the fun back into music and even the stand in drummer gave
110% last night. The two
videos below give you an idea of their
solid performance as a band. It would be a great shame not to see
them still performing over the coming months because they still do
not have a regular drummer, so if you know anybody who can fit the
bill, drop them a message on their MySpace or on Facebook." More
pictures and salutations from
Rob Macca's blog - Golden Cross experience.
Look Good, Feel Great! EP review
This is Warwick legend Chris Carter's review of our EP on his
blogzine,
http://carters-corner.blogspot.com.
Thanks, Carter! He also has a band called Cause of
Accident.
"One of my resolute favourites in the multitude of bands playing
the local basement-circuit, The Rrrrrs (roll your tongue)
are what life might look and sound like if you washed a jumbo bag
of Skittles down with two crates of Irn-Bru. The gaudiest,
trashiest, most in-your-face explosion of pure pop imaginable, this
knockabout quartet first came to prominence at Warwick's Battle of
the Bands tournament in 2005, where they surprised everyone by
scampering away with their heat. Acting as a judge that night, I
found myself warming to the band before they'd even played a note
when, in a hugely endearing piece of improvisation, they mimed
along to one of their own records during set-up. The ensuing
performance was an absolute car-wreck, but even the most
curmudgeonly soul would be hard-pushed to deny they had something - if memory serves, I gave them the full-monty for
stage presence, entertainment value and songwriting. When we read
out the final verdict, the numerous technical perfectionists in the
audience almost had kittens. "But they can't play!", the masses
squealed. "So what?!" the band replied, all the while bouncing
around like errant Ribena berries.
There's no doubt that The Rrrrrs are rough around the edges: their
live shows are unruly, chaotic affairs which regularly degenerate
into playfighting and complete musical meltdown. However, I think
they're much cleverer than they come across - there is a calculated
shambolicism to their performances which suggests an astute sense
of mischief at play (guitarist Rowan Gifford in particular is an
accomplished multi-instrumentalist whose abilities are better
showcased in jazz quintet Jaffa Rose). Above all else,
they have a palpable onstage chemistry - perhaps the best
comparison to be drawn is with The White Stripes,
whose considerable wattage is generated not through total cohesion
but a dynamic personal interplay. Rather than simply being content
to exist in a mire of wilfully sloppy pub-rock, I would argue The
Rrrrrs pull the ultimate bait-and-switch on their audience: they
can play – they just choose not to.
Much of your tolerance for the band will undoubtedly hinge on
whether you're able to hack the antics of their eccentric
frontwoman
Sharliza Rahman. Last time I saw them play, her escapades
involved flashing one arse-cheek, kicking her bassist in the nuts
for playing in the wrong key, and fellating a mic-stand. You'd
think that she'd be different offstage. She's not. She's mad as a
box of frogs.
She's also a true star-in-the-making. Charisma, the X-factor, star
power, the elusive 'it' - call it what you will, this girl has it
in spades. Love or hate her, there's no denying Sharliza's
distinctive presence: on record she sounds like a sexed-up
snake-charmer, supplementing her oddly robotic helium-drone with
the whooping vocal tics of Karen O. Like fellow
rabble-rousers The Moldy Peaches,
the band's attitude is pure punk-rock, shot through with a joyous
don't-give-a-fuck mentality. Their songs are frequently daft but
achingly bittersweet; stylistically they remind me a little of
The Ramones,
tacking what are essentially old-fashioned pop hooks onto a
contemporary mode of delivery (in this case, a raucous hybrid of
The Noisettes and
The Detroit
Cobras).
Their recent demo Look Good, Feel Great! serves as a
fairly accurate example of the divisive approach which famously
resulted in a journo
friend of mine describing them as "jaw-clenchingly annoying" (a
sentiment which bassist
Les Pemberton promptly appropriated as his sign-off on internet
forums). Opener Is That Your Underwear on the
Floor? is the band's finest number to date, supplementing its
early-Cure guitar
tones with dizzying harmonies and glimmering steel-drums. By
contrast, the maddening My Valentino will either
make you want to bop along like a cunt or tear your hair out (I'm
still undecided, though I'll probably give them the benefit of the
doubt at this stage). Always a highlight of their live set, closing
track Money is the most diverse and interesting of
the three, zipping from style to style with such barking enthusiasm
that it sounds like Joy Division one
moment and Minor Threat the
next. Keep listening at the end and you also get a re-recorded
version of their signature tune - the aptly-titled I
Feel Great - on which we get an indication of the true heart
that beats behind their colourful showmanship when Sharliza coos,
with total sincerity: "I feel great, you are wonderful, I'm happy
I'm with you / Over land, under water, in the sky and
outer-space".
Be it through their kinship with upcoming alcopoplets The Ripps or simply their
unflappable high spirits in the face of such hostility, I have no
doubt that The Rrrrrs will piss everyone off by being the next band
in the area to land a record deal and start bothering the
underground press. In all honesty, this EP doesn't particularly do
them justice: you really have to see them live to appreciate the
essence of the band. They're like a direct injection of
sherbert into the bloodstream, a goofy rock'n'roll cartoon designed
to leave you smiling from ear-to-ear. The Rrrrrs are everything pop
music should be. They are Prozac in musical form."
The Rrrs @ Nags Head, Nuneaton, 5 May 2007
By Phil Huxley, from the
BBC website: "A gorgeous Saturday afternoon in Nuneaton and
what better way to spend it than watching some great bands in the
Nag's Head. ....Warwick Uni band The Rrrrs are next on and singer
Sharliza is irrepressible as ever onstage. She wears yellow
hotpants and the boys in the band go for Hawaiian shirts. The
addition of a bubble machine and Sharliza's hyperactive stage
presence mean it's an enjoyable and fun set as always."